My work lies in learning to see and touch the beauty and aliveness inherent in clay. It is a practice of being still. The fire brings the pots to life, adding its indelible marks, unpredictable and full of grace. When the clay, my shaping hands, and the fire all work in harmony, it is a form of alchemy. These objects are sent into the world, as ambassadors of beauty and usefulness. 
They find their completeness in use, holding a cup of tea, a bowl of food, or a stick of incense.